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December 16th 2012: It was about the time the sun had positioned low in the western sky to call it a day. My eyes swayed between my wrist watch and the western sky. I was accompanied by my other half, Sailaja, in my small car that kept on speeding on the familiar kind of gravel laid rural road. I was speeding because I had to reach my destination before it grew dark. She kept a control over my speed driving especially on such a road with frequent warnings to slow down. I was late owing to some other preoccupation. My heartbeat grew louder and faster. Oh God if there had been something, we never knew, that could stop the flow of time. At last, the man in the paddy field who was reaping his crop pointed to a distant structure and said “Look at that compound having a house. That is what you are looking for.” Yes my esteemed readers it was my today’s destination, a long standing structure – “GOPAL ATA’S THAN” at Old Bhawanipur, somewhat three kilometers westward from the main Chowk of Bhawanipur at NH 37 of Barpeta District. What feelings did stirred our emotions at that moment when we arrived at the main gate of the compound; we just cannot express it in words. It’s a beautifully placed area amid paddy fields with a soothing, divine serenity that can make your mind and soul free of all anxieties. ... more

Nataraj Das Dec 21 '12 · Comments: 7

by Nataraj Das

The Prelude:

 The Bhortaal Nritya is one of the unique creations of Barpeta Sattra.... more

Nataraj Das Jan 10 '12 · Comments: 4

by Dr Sanjib Kumar Borkakoti

           The North East India was known for different ethnic conflicts when Srimanta Sankaradeva was born here in the fifteenth century. Those ethnic groups were Karbi, Ahom, Kachari, Chutiya, Naga, Manipuri Meitei, Koch, Mising,... more

One GOBINDA ATOI, a disciple of Mahapurusha SriSri Madhabdeva at Barpeta Sattra, once at midnight, was bitten by a deadly poisonous Cobra. For Gobinda Atoi a Bez (a knowledgeable person who treats patients with locally available herbal medicines in traditional way) was uncalled for and he resorted to NAAM KIRTAN, the Holy holistic way to recover himself from the effects of snakebite. Miraculously Gobinda Atoi got a speedy recovery from this dangerous state through prayer and recital of Holy Songs (NAAM KIRTAN) of God. Later when Gobinda Atoi once visited HEREMAD, people there reported to the king about the incident of snakebite and how Gobinda Atoi had recovered himself from the effect of snake poison. The King Heremeswar then played a trick. ... more

Nataraj Das Jul 14 '12 · Comments: 2
পুৰুষোত্তম ঠাকুৰ 


জয় জয় বটদ্ৰৱা বৈকুন্ঠ দুতয়।

সেহি থানে নিজগুৰু ভৈলন্ত উদয়।।... more

Admin Dec 29 '11 · Rate: 5 · Comments: 1
 Dr Pona Mahanta

 
The history of regular Assamese drama and theatre began with Srimanta Sankaradeva (1449-1568 AD). He wrote and produced plays nearly five centuries ago when classical Sanskrit drama was at a low ebb and when Shakespeare was not even born.... more
Admin Jan 10 '12 · Rate: 4 · Comments: 1 · Tags: theatre, srimanta sankaradeva, ankiya play, bhaona, sutradhara

                                                                                                                                                                                                          

                                                                            

             মহাপুৰুষ শ্ৰীমন্ত শঙ্কৰদেৱে প্ৰৱৰ্ত্তন কৰা নৱ-বৈষ্ণৱ ধৰ্মৰ ধৰ্মীয় অনুষ্ঠান দুটিৰ এটি হৈছে নামঘৰ আৰু আনটি হৈছে সত্ৰ। আমাৰ আলোচ্য বিষয় হৈছে নামঘৰ। শঙ্কৰদেৱৰ ধৰ্ম প্ৰচাৰৰ কেন্দ্ৰস্হল হৈছে এই নামঘৰ। এই নামঘৰক কেন্দ্ৰ কৰিয়েই গুৰুজনাৰ প্ৰৱৰ্ত্তিত ‘একশৰণ হৰি নামধৰ্ম’ বা ‘ভাগৱতী ধৰ্ম’ ই হিন্দু সমাজত প্ৰচাৰ আৰু প্ৰসাৰতা লাভ কৰি বৰ্ত্তি থাকিবলৈ সক্ষম হৈছে। গুৰজনাই প্ৰথমে নগাঁৱৰ বৰদোৱা(বটদ্ৰৱা) ত নামঘৰ প্ৰতিষ্ঠা কৰিছিল। ক্ৰমে অসমৰ সৰ্বত্ৰতে তেখেতৰ আদৰ্শৰে নামঘৰ গঢ় লৈ উঠে। নামঘৰত সাধাৰণতে চাৰিটা  প্ৰধান অংশ বা ঘৰ থাকে। এইকেইটা হৈছে – নামঘৰ বা কীৰ্ত্তন ঘৰ,মণিকূট,ছোঁ ঘৰ আৰু বাটচ’ৰা। ... more

Laksheswar Hazarika Jul 29 '12 · Rate: 5 · Comments: 1
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